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Simpoo Ka Natak

05.04.2020
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Cartoon chimpoo simpoo motu patlu episodes. He is plump, and short in size and faces discrimination for that. Contrary to normal thieves, he is not afraid of Chingum but is instead afraid of Motu and Patlu. He writes some short poems. He wears a blue dress shirt with dark blue flower prints, yellow undershirt, brown belt, dark periwinkle pants with blue cuffs, and brown shoes.

Natak
Genre
Written byAdeel Razzak
Directed byAli Masud Saeed
Starring
Country of originPakistan
Original language(s)Urdu
No. of seasons1
No. of episodes27
Production
Producer(s)Momina Duraid
Production location(s)Karachi, Sindh
Camera setupMulti-camera setup
Production company(s)MD Productions
DistributorHum Network Limited
Release
Original networkHum TV
Picture format
Audio formatStereo
First shown inPakistan
Original release3 December 2016 –
9 June 2017
External links
Official website

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Sign in to like videos, comment, and subscribe. The playlist does not exist. Sep 12, 2016 I haven't seen Vijay Tendulkar, Mahesh Elkunchwar, Vijaya Mehta plays which from what I've heard are considered the best of Marathi stage. Image via Google search From the ones I saw, from drama perspective, Ranangan based on the Panipat war of 17. Natak Last Episode drama by Hum TV. Natak 09 June 2017 watch full Online or download. Pakistani drama Natak is Romantic drama video in High Quality HD, live online streaming from youtube, dailymotion, playwire.

Chimpoo Simpoo Ka Natak Cartoon

Apr 10, 2017  Episode 1 - Meet Chimpoo and Simpoo - your favourite detective duo as they solve their very first mystery. Will they be able to crack this theft case? Chimpoo Simpoo - A detective duo with minds.

Natak (Urdu: ناٹک‎; lit:Drama) is a Pakistanitelevision serial that was first aired on 3 December 2016. It airs every Saturday at 8:00pm PST. It stars Iqra Aziz, Junaid Khan and Moomal Khalid in lead roles.[1][2][3]

Summary[edit]

Series explores the story of three individuals and revolves around a love triangle of Rohan, Suhana & Shafaq, Rohan (Junaid Khan) is Shafaq's (Iqra Aziz) Husband. She loves him and trust him blindly whereas Rohan is interested in his old love Suhana (Moomal Khalid) who is already married to Haider (Yasir Mazhar). willingly or unwillingly Haider becomes the victim of an accident by Rohan's car and losses his life. a series of events pass. During the last episode, Rohan overhears suhanas plan of killing his child, and then realises that what he was doing was wrong. To punish himself and Suhana he purposely crashes the car with them inside. Suhana dies but Rohan survives.

Cast[edit]

Main[edit]

  • Iqra Aziz - Main lead
  • Junaid Khan- Main lead
  • Moomal Khalid-

Recurring[edit]

References[edit]

  1. ^'TV actor Iqra Aziz served with legal notice'. www.pakistantoday.com.pk. Retrieved 26 October 2018.
  2. ^Khan, Saira (24 November 2016). 'Junaid Khan to star opposite Iqra Aziz in Natak'. HIP. Retrieved 26 October 2018.
  3. ^'Natak'. Drama Guru. Retrieved 26 October 2018.

External links[edit]

  • Natak on IMDb
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Natak&oldid=946001048'
Sangeet Natak
Ghashiram Kotwal being performed at Bharat Bhavan, Bhopal
Cultural origins19th century Maharashtra

Sangeet Natak in Marathi language literally means Musical Drama. As the name suggests, this form of drama combines prose as well as poetry in form of songs to convey the story. In a manner, they are very much similar to Musicals. Sangeet Natakas played a vital role in the development of Marathi theater and thus the Marathi cinema as well as Indian film industry.[1] Sangeet Natak start with praise of Lord Natraja which is called as Naandi or Mangalaacharan or Suchakpad usually the famous one 'Panchatunda Nararundamaldhar' from Sangeet Shakuntal. They are popular for use of Indian classical music. The 'Dramatic Music' is called Natya Sangeet, one of the two popular forms of vocal arts in Maharashtra and surrounding states. The other is Bhavageet.

History[edit]

The beginning[edit]

Vishnudas Bhave is considered the founder of Marathi theater. In 1843, his group staged the first public performance of Marathi play Seeta Swayamvar (सीता स्वयं‍वर). The integration of music in the dramas took place quite late in 1879 when play writer and producer Trilokekar presented his musical play Nal-Damayanti (नल-दमयंती). It was the first musical play on Marathi stage.

But only when Balwant Pandurang Kirloskar (popularly known as Annasaheb Kirloskar) staged his first musical play Shaakuntal, based on Kalidas's play Abhijñānaśākuntalam, on October 31, 1880 in Pune did the trend of Sangeet Natak really start.[2] Kirloskar included 209 musical pieces in his Shaakuntal of 7 acts. They consisted of a mix of Hindustani and Carnatic classical music, and lighter music.

During its early period, Sangeet natak was dominated by religious plays like Sangeet Saubhdra, which is legend in Marathi sangeet natak.[citation needed] The trend changed with coming of sangeet Manapman, which depicts bravery of its hero Dheryadhar and his love with Bhamini which was written by Krushnaji Prabhakar Khadilkar.

Golden age[edit]

The new trend of Sangeet Natakas caught up with the popularity quite quickly. With British Raj then existing in India, Sangeet Natakas were compared with the Operas and thus local Marathi Indians found synonymous recreation. In the blooming times, Sangeet Natakas were mainly based on mythological stories of Mahabharata or Ramayana which would hence easily connect with the masses. They did not cover the complete epics but were limited to only small stories in them.

With popularity & success, experimentation started on stage with abandoning mythological themes and bringing social issues to audiences. Sangeet Sharada, for example, by portraying the feelings of a teenage girl to be married to a widower in his late seventies, brought out a social message. Few dramas, like Kichak Vadh, even agitated the British rulers to the extent that they were banned. Kichak Vadh compared the Britishers with Kichak, an evil character from Mahabharata who tried to dishonour Draupadi. Draupadi was then synonymous with the oppressed common Indian masses.

During the 1960s, another turn came in natya sangeet with the emergence of Jitendra Abhisheki, who was credited with applying simplicity to the complex composition of Natya Sangeet.

Plays[edit]

The recent play Katyar Kaljat Ghusli by Zee studios opened up a new era of musical cinemas. This movie was based on the legendary play bearing the same name. Its music was composed by Jitendra Abhisekhi and sung by Vasantrao Deshpande.

Notable contributions[edit]

  • Annasaheb Kirloskar who founded the Sangeet Natakas also offered other famous plays like Sangeet Saubhadra and Ramrajyaviyog.

Bal Gandharva'sGandharva Natak Mandali; Vasudeorao Dongre's Dongre Mandali; Pandoba Gurav Yavateshwarkar's Waikar Sangeet Mandali; Janubhau Nimkar and Keshavrao Bhosale's Swadesh-Hita-Chintak Mandali, which evolved into Lalit-Kaladarsha Mandali; and Master Dinanath'sBalwant Natak Mandali were the other main performing companies which were formed in Maharashtra.

  • Jaymala Shiledar (1926-2013) - Jaymala, her husband Jayaram and daughters Kirti and Lata kept Sangeet natak alive during the lean period of 1960s to 1990s. They stageded 25 new musicals, including 'Ekhadyacha Nashib', Mumbaichi Manasa', 'Anantphandi', and Abhogi through their company,Marathi Rangabhoomi. She was a protege of Bal Gandharva.[3]

Natya Sangeet Maestro[edit]

Dinanath Mangeshkar

List of famous Sangeet Nataks[edit]

To attract the audiences, many of the Sangeet Nataks used to prefix the word Sangeet before their actual name.

  • Sita Swayamvar
  • Shaakuntal
  • Sangeet Saubhadra
  • Sangeet Maanaapmaan
  • Matsyagandha
  • Sanyastkhadga
  • Ramrajyaviyog
  • Mruchhakatik (1889)
  • Sangeet Sanshaykallol
  • Katyar Kaljat Ghusli (1967)
  • Shapsambhram (1893)
  • Sangeet Sharada (1899)
  • Sangeet Swayamvar (1916)
  • Devmaanus
  • He Bandha Reshmache
  • Moruchi Mavshi
  • Mandarmala
  • Geeta Gati Dnyaneshwar
  • Suwarnatula
  • Sangeet Vidyaharan
  • Ekach Pyaala
  • Bhavbandhan
  • Madanachi Manjiri
  • Punya Prabhav

See also[edit]

Further reading[edit]

  • Marathi book by Govindrao Tembe 'माझा संगीत व्यासंग' (My Study of Music); published 1939

References[edit]

  1. ^Kasbekar, p. 52
  2. ^'Marathi Natya Sangeet'. Retrieved 2006-07-02.
  3. ^'Celebrating Jayaram Shiledar, the legend of Marathi Sangeet Natak' (Dec 6). Times of India. timesofindia.indiatimes.com › City. Dec 6, 2015. Retrieved 26 October 2017.

Reading list[edit]

  • Asha Kasbekar (2006). Pop culture India!: media, arts, and lifestyle. ABC-CLIO. pp. 52–53. ISBN1-85109-636-1.
  • Book in Marathi by Govindrao Tembe 'माझा संगीत व्यासंग' (My Study of Music) 1939

External links[edit]

Retrieved from 'https://en.wikipedia.org/w/index.php?title=Sangeet_Natak&oldid=927447305'